For all those flameworkers out there who bemoan the absences of the handpulled color from Moretti/Effetre called “Dark Teal”, rejoice! Dark Teal has not been available for some time now, but one of the new CiM Unique “Great Bluedini” colors is a dead ringer for the long lost Dark Teal.
I recently paid a visit to Double Helix Glassworks to ask Jed (glass maker extraordinaire) some questions on how to get good color out of some of his more challenging palette. I bet I am not the only person who finds using the new silvered glass colors a little frustrating sometimes. I look online and see fabulous beads that some people managed to make out of the silvered glass colors and say to myself, I ought to try that. It is a bummer when I do try colors like Luna, Pandora and Khaos, to mention a few and all I
104 COE Glass Review, lampworking techniques, and Silver Glass Colors. 104 Clear glass, 104 COE glass, 104 glass rods, beadmaking, Beadmaking tips, beads, CiM, CiM uniques, clear encasement, Effetre, flameworking, Lampworking, reactive silvered glass, and Vetrofond.
here are three New Colors from CiM this week, that were made at the request of the lampworking community. The new colors are: Poison Apple Mink Mermaid I have had the pleasure to make beads with these three new colors this week and I must say that I was pleasantly surprised with the results of my experimenting. In rod form, Poison Apple looks very translucent bright green, but as you work it in the heat it becomes denser and loses some of its translucent look. The first bead I made with it was a straight forward Sangre (red) and Poison Apple
104 COE Glass Review, Flameworking 104 Glass, Lampworking, and Silver Glass Colors. 104 COE glass, 104 glass rods, beadmaking, Beadmaking tips, CiM, CiM uniques, flameworking, flameworking glass review, Lampworking, Messy Color, reactive silvered glass, and stringers.
I have been thinking about the holidays lately because of the weather change and I thought I would talk about Great Christmas Colors for lampworkers that I like for Christmas projects. If you have made beads for any time at all, you are probably familiar with how difficult it can be to get a great Christmas red to make all your Christmas projects out of. In my experience as a lampworker, I found it next to impossible to find a transparent red that wasn’t too orange or that didn’t turned kind of brown after you worked it in the flame for
104 COE Glass Review, Flameworking 104 Glass, and Lampworking. 104 COE glass, 104 glass rods, beadmaking, Beadmaking tips, beads, CiM, CiM uniques, flameworking, flameworking glass review, Lampworking, lampworking Tips and Tricks, and Messy Color.
Flameworking shaping tools is an interesting subject that comes up often in conversations with other artists who like to work in hot glass. There were no tools to speak of when I started flameworking and I find it delightful that a cornucopia of tools have become available to flameworkers over the past 20 years. Here are the Tools for Shaping Flameworked Objects. When I first started flameworking I only had a graphite marver that I acquired from a scientific borosilicate tool supplier. I started out with a 5″ x 3″ graphite marver, thinking that bigger is better but I found
104 COE Glass Review, Flameworking 104 Glass, Lampworking, and lampworking techniques. 104 glass rods, beadmaking, Beadmaking tips, beads, CiM, CiM uniques, Effetre, flameworking, flameworking glass review, inspiration, Lampworking, lampworking Tips and Tricks, Shards, and Vetrofond.