Flameworking 104 Glass

All things Flame working 104 coe.

Torso Beads by Joy Munshower

One of our customers, Joy Munshower, posted some wonderful torso beads made with the Effetre glass rod colors ( Sunset, Alexandrite, Green Tea, Earth, Dark Ivory, and Neptune) and Vetrofond glass rod ( Topaz ODD ). They were such great examples of these colors I thought I would share them in this blog.

The murrini used were by Donna Millard

Effetre Neptune (591230)

Effetre Neptune (591230)

 

"Here's the fun side-by-side, before-and-after shots of a female torso sculpted out of "Neptune" glass. When I sculpt it it develops the "pewter" finish over its surface (and "haloed" around the Morning Glory murrini by Donna Millard interestingly)… I then etched the bead to expose the gorgeous mottled teal beneath." – Joy Munshower

Alexandrite (591226)

Effetre Alexandrite (591226)

I would like to see this bead in person because Effetre Alexandrite shifts hue slightly with different light.

Effetre Earth Cool Color (591688)

Effetre Earth Cool Color (591688)

Effetre Sunset Pastel (591206)

Effetre Sunset Pastel (591206)

Effetre Green Tea Cool Color (591680)

Effetre Green Tea Cool Color (591680)

This Green Tea bead looks like it was sculpted out of a Marble.

Vetrofond Topaz ODD (791989)

Vetrofond Topaz ODD (791989)

Effetre Dark Ivory (591276)

Effetre Dark Ivory (591276)

For more images check out her Facebook page.

CiM / Messy Color Has Four New Colors! (3-29-11)

Oh Boy, its spring and Messy Color has come out with some wonderful new colors to add to their palette.  There are two transparent and two opal colors and they are call Rainforest, Azure, Atlantis and Appletini.

  • Rainforest – 511499
  • Appletini     – 511497
  • Atlantis       – 511598
  • Azure          – 511500
511499Rainforest 511497Appletini
Rainforest #511499 Appletini #511497
511598Atlantis 511500Azure
Atlantis #511598 Azure #511500

These new colors are yummy, yummy, yummy and I had a blast melting them to find out how they work when I made them into beads.

I made beads with silver foil cores that were encased with the two transparent colors Azure and Appletini and they came out great.  I discovered that if you apply the encasement gather when it is too hot, it will yellow your foil.  All I had to do to correct this problem was to apply the encasement gather just a little cooler than white hot and it didn’t yellow the silver foil.

Azure with silver foil over azure core.

Tabular bead with core of Azure wraped in silver foil and encased with Azure.

Appletini with silver foil over core.

Tabular bead with core of Appletini covered with silver foil and encased with Appletini.

 

 

 

 

 

 

 

 

Rainforest and Atlantis are both opal colors and I have to say that Messy Color has the nicest and easiest opal colors I have ever used to lampwork beads.  These two new opals are succulent and I couldn’t help myself and I mixed dichroic into three of the beads I made with these new opal colors with good results.

Check out the beads I made out of these new Messy Colors and decide for yourselves, but I give them a huge thumbs up!

Rainforest core with dichro encased in Appletini.

Core of bead is made with Rainforest that is covered in dichroic pieces and encased with Appletini.

Rainforest with blue dichro and goldstone.
Bicone of Rainforest with a diagonal band of blue on clear dichroic that is edged with a goldstone ribbon cane. Bicone of Atlantis with a band of dichroic dots on clear with goldstone ribbon cane.
Appletini with Mermaid swirls. Azure and Rainforest with filligrana twisted.
Round bead made with Appletini decorated with swirls of Mermaid. Core of bead is made from a twisty made of Azure, Rainforest, white filigrana and a light sky blue filigrana.

What is a Cotisso?

What is a Cotisso? Having never heard the name Cotisso before, I had to do some research to find out what they were talking about at the Effetre factory.  It seems that this is the name they use to refer to a chunk of glass that here in the U.S is called glass cullet.

yellow cotisso - large

Large chunk of yellow cotisso from Effetre

So why am I talking about cotisso’s (A.K.A. cullet)?  Because when Mike went over to Europe last October, he got the factory to let him pick out a bunch of different colors of these intriguing chunks of glass and Frantz Art Glass is now offering some of them up for sale.

Piles of cotisso on patio of Effetre factory.

Piles of cotisso (cullet) being stored on patio at Effetre factory.

I think cotisso’s are fabulous looking and look like surreal chunks of precious minerals.  I got a big batch of cotisso’s a decade ago after pestering the factory manager endlessly to let me pick out some chunks to include in the glass shipment we were working on at that time while we were on Murano, Italy.

I love the cotisso’s that I have and I set them on my worktables, in windows in my studio and house.  I also manicured several choice chunks by smoothing the sharp edges with a handheld dremel and I use them in my booth display when I sell my beads because the cotisso’s add such a delicious splash of glistening color to my bead display.

Cans of Glass Cotisso (Cullet).

Effetre puts the more expensive colors of cotisso's in cans to keep close track of them.

You may ask why I smooth the edges of the glass chunks I have in my bead display and it is because they are so beautiful, people want to touch them.  To prevent anyone accidentally cutting themselves on a shape edge, I took a grinding tip mounted in a dremel tool and smoothed the less friendly edges off the glass chunks.

Another question I kept asking the manager at the Effetre factory is what do they keep them for?  The answer turned out to be very interesting!  When they measure out a new, from scratch batch of glass ingredients, it is all in powder form and is very slow to warm and melt into glass.  They introduce a few chunks of cotisso’s of the color that is being melted and the solid mass of the cotisso heats up much faster than the powder and speeds up the entire melt.

When the factory is done pulling rods from a new batch of glass in one of their furnaces, they move the last of the glass batch to a shallow cast iron bowl while it is molten hot and they set it outside on their patio and let the glass air cool.  The glass naturally fractures while it is cooling in the iron bowls and when it is completely cool, their turn the bowl over and dump the chunks of glass out onto the concrete patio.

Iron bowl of hot yellow glass cooling to become cotisso.

Iron bowl of hot yellow glass cooling to become cotisso.

Three legged iron bowls of cooling glass.

Three legged iron bowls of cooling glass.

 

 

Sometimes, the piles of cullet are very tall and they look especially beautiful when they are transparent and the sun shines through the glass sitting in the sun.

 

Transparent Aqua cotisso's.

Transparent Aqua cotisso's.

Purple opaque cotisso's.

Purple opaque cotisso's.

 

 

 

 

 

 

 

Don’t miss this chance to get a beautiful unique cotisso for yourself.

Three legged iron bowls for cooling cotisso.

Group of three legged iron bowls for cooling cotisso.

Cotisso being stored in big plastic containers.

Cotisso being stored in big plastic containers.

Group of opaque orange cotisso.

Group of opaque orange cotisso.

How to get the Perfect Clear 104 COE Glass

I am writing about getting a perfect clear again because I still get many requests for what is a perfect 104 COE clear. I have found that it doesn’t matter so much who makes the clear glass rods as much as it matters if the rods are clean or not. Read more

Creative Inspiration Can Come From Anywhere

This may become a recurring theme of mine, but I think it is important that people know how the creative process can manifest itself to motivate an artist to generate a particular piece of art. Read more

Glass Colors I Like and Why (10-15-10)

The new shipment of “Odd” neutral colors from Vetrofond are a fabulous base color for working with many of those expensive silvered glass colors made by Double Helix, Trautman Art Glass and Precision 104. Read more

Skeleton Keys and Lampworked Beads

Over the past few years there has been a growing number of bead artist making beads on old skeleton keys to use as necklace pendants. Read more

Tips and Techniques: How to Deal with Shocky Glass Rods

The quickest and easiest way to reduce the shockyness of certain glass rod colors is to set up a warming station for the glass rods that is within reach of where you sit to make beads. Read more

Photoshop tip: Layer Masks

show you 2 techniques using the Layer Mask in Photoshop to enhance your Bead photography Read more

News about the Boatload of Colors in the New Messy Shipment

A new shipment of CiM/Messy Color glass has just arrived at Frantz Art Glass and there are loads of new unique colors and nine new special assortments. Read more

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